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Showing posts with label download. Show all posts
Showing posts with label download. Show all posts

Sunday, 26 January 2014

Memento (2000)


               Memento (2000) : 'Don't believe his lies' 



From time to time, a film that tests what we think about a motion picture to be goes along. Such films are an exceptional experience and they keep on lingering in one’s mind. In the most recent few years, such movies discharged incorporated Being John Malkovich , Requiem for a Dream, and Time Code. Joining this record is Memento.

Like the movies recorded, Memento requests a considerable measure from the crowd. Being inactive methods you wind up missing an essential some piece of the knowledge of viewing a film like this. The motion picture is told rearward, to represent the predicament of the hero, Leonard (Guy Pearce), who needs fleeting memory. This condition was initiated throughout a strike where (consistent with him) his wife was executed and his mind was harmed. Since Leonard recalls all the occasions that happened before he was ambushed, he is on a mission to vindicate his wife's demise.

The issue with being on a journey and having just fleeting memory is that you can effectively overlook that you recently completed what you began to do. In spite of the fact that Leonard utilizes an arrangement of Polaroid photographs and tattoos to stay informed regarding what he's finishing, its dependent upon him to record whatever he recognizes critical. At the minute of making a snap judgement, when he neglects to discover a pen, or when he's out of film, or assuming that he only decide to not record the data, then he's out of fortunes.

The film begins by indicating Leonard executing somebody, and it is soon implied that this individual could be the executioner Leonard was looking for. The film follow Leonard's steps rearward to attempt to delineate the rationale Leonard utilizes as a part of settling on his choice. In completing thus, the film additionally retracts the story, in ordered request, of Sammy (Stephen Tobolowsky), an individual who Leonard explored for protection misrepresentation and who experienced the same condition as Leonard does, and how their wives (Leonard's and Sammy's) obviously meet their end. This happens slowly and generally, both stories are quite obvious( (which would not joke about this excessively great to be accurate). The most dooming disclosures are made throughout the last minutes of the film, which outlines the way of Leonard's condition, and additionally his round mission (the punch line gives a real piece of information: "a few memories are best overlooked").




While some individuals think about the film as being noticeably questionable, I accept there are sufficient pointers to explain most issues (simply see the motion picture rearward). Case in point, Leonard, our hero, is purportedly helped by Natalie (Carrie-Anne Moss), who would appear to be a great individual. In any case, towards the closure, she issues a tirade which makes it clear precisely what her genuine intentions are. The last arrangements are the most telling, where an alternate individual who Leonard should trust, Teddy (Joe Pantoliano), lets him know what is truly happening since he has been with Leonard since the start of his mission. Leonard's response to Teddy's "truth", and a disappointment to record it, delineates the causes driving his activities.

The film's style of telling the story retrograde is intriguing, yet I'm starting to uncover that its truly not that hard to recount a story in this way. Take a couple of your favorite books (or even this survey), switch all the chapters/paragraphs, and with a touch of mental filler, you can effectively accompany the stories by and large.

The film truly is a masterpiece by its writer and director Christopher Nolan. It’s more like a experience than a film.

To watch this wonderful film please refer to the below YouTube link. Thank you! Enjoy the film. 



         

Friday, 3 January 2014

A Separation (2011)


                                          A Separation (2011)




One of the best Drama film depicting how an divorce between a couple can affect the lives around it and the consequences of it.
Written and Directed by Celebrated Iranian Filmmaker Asghar Farhadi , A Separation won the Best Film award at the Oscars in Foreign Film category.

Watch this wonderful piece of work on YouTube with English Subtitles. Thank you!

                                    Part-1

           


                                                                    Part-2


             

Sunday, 8 December 2013

In The Mood For Love (2000)

 In The Mood For Love (2000) : A Poem Of  Images





Wong Kar-wai's ability to intermix visually stunning pictures , emotions and uniqueness is known at international level. And its his these abilities that gives In The Mood For Love a new axis of film making primarily in the romantic drama genre.The film is set in Hong-Kong (1962) which depicts a affair between two newly shifted neighbors who suspects that their respective partners are having an affair. The most interesting part of film is the perspective through which the story is told. Even having an affair both the leads tries to search their respective partners in each other. You don't see even the faces of their partners and that's a very critical decision taken by wong. The master Director has presented the story in a way that audience do or not completely sympathize with the leads.  And Both Tony Leung and Maggie Cheung delivers an outstanding perfomances and are a treat to watch.Wong Kar-Wai is extraordinary in both the departments of writing and direction. The background music of movie specially in slow motion scenes is outstanding. 


To watch this magnificent piece of work refer to link given below. Thank you .

 For Subtitles Please Press Caption Button.


                                                                                                     
                                         

Tuesday, 12 March 2013

Oldboy (2003)


          

Oldboy (2003) - A never told before revenge story





There are very few movies which possess par excellence in their all departments and with no second thoughts Oldboy is an example of such cinematic experience. Right from the start Oldboy captures audience attention with its fast-paced and unique story line, engaging screenplay, brilliant acting and last but not the least quintessential Direction of  Chan-wook Park. Its it these combinations that produced a cult classic and one of the greatest movies ever made.

Watch this brilliantly crafted cinema work here:


                                                PART-1






                                                                                       PART-2





                                                                                          PART-3






                                                                                           PART-4






                                                                                              PART-5






                                                                                                PART-6


Friday, 21 December 2012

Persona



                                 Persona (1966)




Ingmar Bergman's 1966 picture, Persona, is perhaps his one of the finest work. This was a postmodernist development of the mid-60's that strived to transform, basically, symbolization for craft's particular purpose. Besides, postmodernism is a self-reflective work of art. It grips its particular simulation as a medium that has its sole method in speaking for human impressions or feelings. In this manner, gripping the postmodernist vein of self-reflexivity, Bergman incorporates different metacinematic scenes in the picture. For instance, in one case, Liv Ullman, focuses a still-shot camera straightforwardly into the casing, breaking the fourth divider. In this instant, we are not just helped to remember the camera yet we are overwhelmingly conscious, as a group of people that we are in a mode of imitation. This is an artistic expression that is going over there and gripping its personality as a medium that may be, intrinsically, manufactured. It is taking silver screen and declaring “this is abstraction and we are not concerned with attempting to delude you into intuition its actuality.” With these subjects as a primary concern, one may perceive why, while large portions of us can focus out certain values of this picture that might be connected with different developments of cinematic declaration, one can't avoid finally reach the summation that notwithstanding its different impacts, the disposition of this picture is strikingly postmodern and deconstructionist.




                                                                  A still from the movie.


From a postmodernist view, this picture poses countless inquiries about being and conveyance which can promptly be identified with Shakespearian existentialist conceptualizations of “nothingness”; besides, it keeps on subjects suggested in some of Bergman's previous pictures for example, The Silence, noticing correspondence, or absence thereof, between people. Bergman composes in his self-portrayal that, having vanquished this prevention in the manifestation of his credence in the being of god, he was genuinely fit to go up against true blue inquiries regarding his character. Appropriately, in,Through a Glass Darkly, Bergman prescribed that the closest thing to god or the perfect interaction is established in human association or social connections. Like in, The Silence, this picture too shows its viewer with people who lack the capacity to convey and thusly, in Bergman's observation of the request of the globe, are truly corrupted. Yet, while, The Silence, introduced two sisters, both of whom have had battles in conveyance; Persona, furthermore, ostensibly displays one single split up into tow sides of awareness, acted for, separately, through the actresses Bibi Andersson and Liv Ullman.


     
            Watch Persona (1966) full movie with English subtitles enjoy ;) ....For Subtitles Please Press Caption Button....Thank you!

              
                                                                                                                                               
             



Imaginatively, the way Bergman and his cinematographer, Sven Nykvist, took in speaking for quite an a perplexing, interior mental battle is sincerely significant. Through assorted lighting and blocking systems, Bergman and Nykvist accomplish shots that serve to make this picture possess up to its notoriety as a work of self-reflexive delineation; or, additionally, symbolization for craftsmanship's particular purpose. The two picture masters use such significant systems as lighting a large part of the countenance and leaving one side gloom, superimposing two challenges as one unit and at last, making impressionistic scenes in which the collaboration between the actresses is viewed as dream-like, just about as it would be if both of them are apparitions living in an interchange universe of gloom inward-brain science. Be that as it may, with a present day novel, the story here is trite, conventional, needing in movement even; yet, as we realize, that is not the focus. The center of the work is the stylish gifts being put hence by Bergman and Nykvist, besides, the more fabulous thematic translation. The picture finishes demonstrating us a scene of Elisabet being shot as she dividends back to her calling as a performer, leaving us with our final impression, the most metacinematic instant in the picture. The sole statements which Elisabeth talks through the whole picture are “no” and “nothing”. Being that Bergman had his roots in theatre, it is no concern that he was acquainted with the existentialist issues of Shakespeare put forth in such acts as King Lear or Hamlet. Without the inquiry of god loading the specialist, he was now unlimited to attempt in challenging such profound, significant concerns as are typically connected with schools of deconstructivism or alternately postmodernism.

Wednesday, 12 December 2012

Pulp Fiction


   Pulp fiction: violence layered with black comedy
       
           

Pulp fiction (1994) considered as the one of the most influential classics made in 90’s and still it’s with ‘greatest movies of all time’ tag. With a rank of #4 in IMDB’s Top 250 and 95% rating at rotten tomatoes it still has a rage among movie buffs. Whether talk about its originality in storyline or Tarantino’s typical direction Pulp fiction scores full marks in all cinematic respects.

Cast:  
John Travolta as Vincent Vega


Samuel L. Jackson as Jules Winnfield


Uma Thurman as Mia Wallace


Bruce Willis as Butch Coolidge


Tim Roth as "Pumpkin" or "Ringo"




Plot: 
Pulp fiction’s plot is divided into three interweaving time-twisting stories:

1. Vincent Vega and Marsellus wallace’s wife

2.The gold watch

3.The bonnie situation.

The most original thing in its story is not narrating in it chronological order.


Direction: 
Quentin tarantino has a distinctive style of storytelling as potrayed in pulp fiction. Long running shots, gritty violence with humour and chemistry between characters are key features of this.

My opinion would be it’s a movie to watch before you die, a must watch.


Trailer:




IMDB's Link:




Download Pulp Fiction (1994) Brrip:

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